A critical review of the work of filmmaker Robert Kramer, considering the links that his work suggests, from the virtuous use of various audiovisual machines, their specificities and combinations. The film, video, television and new techno logies are, in Kramer, creative processes that give rise to an expressive work with photochemical devices and digital electronics.
Audiovisual machines and metadiscourse; virtuosity; a critique of ideologies; hybridity; self-referentiality
