The text approaches the terms of the practical research in photography "Errancy and Idiorhythm - Photographs" to try to apprehend a methodological proposal of them. Especially in dialogue with L'Espace Littéraire, of the French essayist Maurice Blanchot, the "errancy" is discussed as the axis of a practice that ignores your destination and do not abdicate its irreducible (though sometimes unknown) driving force. The "idiorhythm", a term employed by Roland Barthes in the seminar Comment Vivre Ensemble, serves as a basis for a discussion on the individuation of language. The paper seeks to unite these considerations in a possible essayistic method of production.
photography; artistic production's methodology; Roland Barthes; Maurice Blanchot
