Abstract
Far from intending to exhaust all the possible similarities between Nietzsche and Quine, the following text aims at showing, through paradigmatic comparisons and admissible methodological convergences, how both authors - by making naturalistic assumptions to interpret knowledge and aesthetics respectively - allow us to think of a less confining and more creative naturalism, free from the prejudices of scientism and more compatible with the artistic sensibility in general.
Keywords
Nietzsche; Quine; aesthetics; knowledge; supervenience; naturalism