IN HIS De Magistro Saint Augustine places prayer and song on a similar level, alongside the language immediately communicative functions. His considerations on prayer are grounded on the Christian habits of silent reading, prayer and meditation; those on song, on the equally innovating practice called jubilus, which is melody without words designed for the intensest and most joyous liturgical moments. Silent prayer and jubilus are recurring topics in patristic literature, but Augustine deals with them in an original way, drawing from the soundless words of prayer and the wordless sound of jubilus an inner discourse, addressed not to men but to God.
