Abstract
The concept of reception runs through the work of Eliseo Verón - 1968-2013. Initial studies emphasize the dimension of time for the production of meaning. They highlight processes that involve specific moments for the definition of the signification, in which a message is said and received. Little attention has been paid for this aspect, but it is an issue that would demand a lot in the future. The actors’ role is pointed out, since rebuilding recognition grammars assumes the work with the individual word. The pertinence of the idea of “grammars” is developed - its deficiencies and different logics - for the formulation of theory of recognition, from the articulation production/reception.
Keywords
production/reception; recognition; interpenetration
