Abstract:
The present work is structured in the articulation between literature and psychoanalysis and take as reference Lacan’s statement in 1965, in which he points out that the practice of the letter, at the Marguerite Duras’ production, converges with the use of the unconscious. As a point of analysis, the article is based on the reading of Le Ravissement de Lol V. Stein, M. Duras’ novel, in order to discuss the notion of Real, formalized by Lacan in his teaching. To do this, the Real will be approached from three axes of analysis: 1) time, 2) body and 3) absence. In the end, durassian production attests to us a double loss that operates between writing and reading, as an effect of the Real.
Keywords:
Real; Marguerite Duras; letter; literature; psychoanalysis