ABSTRACT:
This paper starts from some works of art by the artists Iberê Camargo and Maria Lídia Magliani to approach the tragic dimension of the psychoanalytic experience. In the twisting movement between the field of arts and psychoanalysis, we also articulate this work with the Greek tragedy of Antigone, a literary work that Lacan relied on to think about psychoanalytic ethics. Finally, the article points out that the tragic experience in psychoanalysis approaches the end of the analysis, as it introduces the possibility of the fall of the father, going beyond the Other of language.
Keywords:
art; psychoanalysis; tragic; end of analysis