Analysis of the concept of memory of the present - dialectical dimension - developed by Charles Baudelaire in his critical and poetical texts by means of the articulation of a double time regime, which enables the compreension of a work of art as an object that entails different times. In the light of some authors, such as Georges Didi-Huberman and Walter Benjamin, the aim of this article is to analyse how the notions of critics, anachronism, allegory, image, ruin, origin and present time interact in order to create reflection nuclei.
anachronism; Charles Baudelaire; Georges Didi-Huberman; memory; Walter Benjamin