We try to make visible how the light that touches and propagates over Donald Judd´s pieces-its internal and external surfaces-was conceived by the artist in the same way as the physical structure of these. In Donald Judd's work, color turns into a synonym of material surface. It's inherent, substantive, non-applied and without metaphorical meanings. We are following the recent critical tendency that sees a new concept of color in Donald Judd's work that until some years ago was taken as an orthodox minimalist leader, far away from any appeal to the senses.
color; matter; light; structure
