THE WORLD AS IMAGE AND THE IMAGE OF THE WORLD: PHOTOGRAPHING GOOGLE STREET VIEW

O MUNDO COMO IMAGEM E A IMAGEM DO MUNDO: FOTOGRAFANDO O GOOGLE STREET VIEW

EL MUNDO COMO IMAGEN Y LA IMAGEN DEL MUNDO: FOTOGRAFIAR EL GOOGLE STREET VIEW

ABSTRACT

This essay focuses on artworks created through the reproduction and appropriation of images available in the interface of Google Street View. As a reflection of the growing proliferation of images produced by automated cameras, independently of human perception and cognition, these artworks provoke a reconsideration of the photographic act, the role of the artist as a commentator on and curator of images, the sublimation of authorship thus entailed, and the ontology of the photographic image. The fact that such artworks are created by extracting images from the Google Street View interface could be perceived as indicative of certain visual redundancies. This article argues, on the contrary, that the photographic works in question are different from each other insofar as they entail specific creative techniques, modes of aesthetic appropriation, and critical approaches.

KEYWORDS
360º photography; google street view; photographic act; history of photography; street photography