O MUNDO COMO IMAGEM E A IMAGEM DO MUNDO: FOTOGRAFANDO O GOOGLE STREET VIEW

Este ensaio tem como foco obras criadas por meio da reprodução e apropriação de imagens disponíveis na interface do Google Street View. Reflexo da crescente proliferação de imagens produzidas por câmeras automatizadas, independentemente da percepção e cognição humana, estas obras provocam uma reconsideração do ato fotográfico, do papel do artista como comentador e curador de imagens, a sublimação da autoria, e a ontologia da imagem fotográfica. O fato de tais obras de arte serem criadas através da extração de imagens da interface do Google Street View pode ser interpretado como uma implicação de sua redundância visual. Este artigo defende, pelo contrário, que as obras fotográficas em questão implicam técnicas criativas e modos de apropriação estética específicos.

PALAVRAS-CHAVE
Fotografia 360º; Google Street View; Ato fotográfico; História da fotografia; Fotografia de rua

Autoria

MARCELO SCHELLINI

Marcelo Schellini, PhD, is a lecturer at Curtin University, Campus Malaysia. His research focuses on photography and visual culture. He has exhibited and published his research works in various international peer-reviewed journals. He is a researcher of the Research Group on Photographic Printing under the supervision of Prof. João Musa at the University of São Paulo, Brazil.

Curtin University, MalásiaCurtin UniversityMalásiaMalásiaCurtin University, Malásia

https://orcid.org/0000-0003-0350-5381

LUCAS VIEIRA ESKINAZI

Lucas Eskinazi is a research scholar in Visual Poetics at the University of São Paulo, he has published critical essays and translations focused on the photographic act and the role of cameras in society. As an artist, he has exhibited his work in museums and film festivals. He is a researcher of the Research Group on Photographic Printing under the supervision of Prof. João Musa at the University of São Paulo, Brazil.

Universidade de São Paulo (USP), BrasilUniversidade de São PauloBrasilBrasilUniversidade de São Paulo (USP), Brasil

https://orcid.org/0000-0002-9868-4783

SCIMAGO INSTITUTIONS RANKINGS

Curtin University, MalásiaCurtin UniversityMalásiaMalásiaCurtin University, Malásia

Universidade de São Paulo (USP), BrasilUniversidade de São PauloBrasilBrasilUniversidade de São Paulo (USP), Brasil

Figuras

Figuras (8)

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Figures 1 and 2
Michael Wolf, from the photo-series Asoue: A series of unfortunate events. Screenshot/Crop of a GSV interface (Wolf 2011WOLF, Michael. Asoue: A series of unfortunate events. 2nd ed, Berlin: Wanderer Book, 2011.).

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Figure 3
Michael Wolf, from the photo-series Asoue: A series of unfortunate events, Screenshot/Crop of a GSV interface (Wolf 2011WOLF, Michael. Asoue: A series of unfortunate events. 2nd ed, Berlin: Wanderer Book, 2011.).

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Figure 4,
Footage recorded by a camera installed in a missile deployed in the 1991 Gulf War, Harun Farocki (dir), War at a Distance/ Erkennen und Verfolgen, 2003War at a Distance/ Erkennen und Verfolgen (2003), Dir: Harun Farocki, Germany, 55’ Son., pb. Available on Available on https://www.youtube.com/watch?v=9iomr1LPWMQ . Accessed 15 Jan. 2024.
https://www.youtube.com/watch?v=9iomr1LP... . Germany.

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Figure 5
Michael Wolf, from the photo-series Interface, Screenshot/Crop of a GSV interface (Wolf 2011WOLF, Michael. Asoue: A series of unfortunate events. 2nd ed, Berlin: Wanderer Book, 2011.).

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Figure 6
Jon Rafman, from the photo-series IMG MGMT: The Nine Eyes of Google Street View. Screenshot/Crop of a GSV interface (Rafman 2018RAFMAN, Jon. 9 eyes. Conifer, 03 January 2018. Available on Available on https://conifer.rhizome.org/despens/9-eyes/20180103101851/http://9-eyes.com/ . Accessed 11 Jun. 2024.
https://conifer.rhizome.org/despens/9-ey... ).

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Figure 7
Jon Rafman, from the photo-series IMG MGMT: The Nine Eyes of Google Street View. Screenshot/Crop of a GSV interface (Rafman 2018RAFMAN, Jon. 9 eyes. Conifer, 03 January 2018. Available on Available on https://conifer.rhizome.org/despens/9-eyes/20180103101851/http://9-eyes.com/ . Accessed 11 Jun. 2024.
https://conifer.rhizome.org/despens/9-ey... ).

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Figure 8
Frame reproduced from the GSV interface depicting the author’s confrontation with Google’s car, Ernesto de Carvalho (dir), Nunca é noite no mapa, 2016Nunca é noite no mapa (2016), Dir: Ernesto de Carvalho, Brazil, 6’, Son., color. Available on Available on https://vimeo.com/175423925 . Accessed 11 Jun. 2024.
https://vimeo.com/175423925... . Brazil.

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Figure 9
Frame reproduced from the GSV interface depicting the author’s confrontation with Google’s car, Ernesto de Carvalho (dir), Nunca é noite no mapa, 2016Nunca é noite no mapa (2016), Dir: Ernesto de Carvalho, Brazil, 6’, Son., color. Available on Available on https://vimeo.com/175423925 . Accessed 11 Jun. 2024.
https://vimeo.com/175423925... . Brazil.

Figures 1 and 2 Michael Wolf, from the photo-series Asoue: A series of unfortunate events. Screenshot/Crop of a GSV interface (Wolf 2011WOLF, Michael. Asoue: A series of unfortunate events. 2nd ed, Berlin: Wanderer Book, 2011.).

Figure 3 Michael Wolf, from the photo-series Asoue: A series of unfortunate events, Screenshot/Crop of a GSV interface (Wolf 2011WOLF, Michael. Asoue: A series of unfortunate events. 2nd ed, Berlin: Wanderer Book, 2011.).

Figure 4, Footage recorded by a camera installed in a missile deployed in the 1991 Gulf War, Harun Farocki (dir), War at a Distance/ Erkennen und Verfolgen, 2003War at a Distance/ Erkennen und Verfolgen (2003), Dir: Harun Farocki, Germany, 55’ Son., pb. Available on Available on https://www.youtube.com/watch?v=9iomr1LPWMQ . Accessed 15 Jan. 2024.
https://www.youtube.com/watch?v=9iomr1LP... . Germany.

Figure 5 Michael Wolf, from the photo-series Interface, Screenshot/Crop of a GSV interface (Wolf 2011WOLF, Michael. Asoue: A series of unfortunate events. 2nd ed, Berlin: Wanderer Book, 2011.).

Figure 6 Jon Rafman, from the photo-series IMG MGMT: The Nine Eyes of Google Street View. Screenshot/Crop of a GSV interface (Rafman 2018RAFMAN, Jon. 9 eyes. Conifer, 03 January 2018. Available on Available on https://conifer.rhizome.org/despens/9-eyes/20180103101851/http://9-eyes.com/ . Accessed 11 Jun. 2024.
https://conifer.rhizome.org/despens/9-ey... ).

Figure 7 Jon Rafman, from the photo-series IMG MGMT: The Nine Eyes of Google Street View. Screenshot/Crop of a GSV interface (Rafman 2018RAFMAN, Jon. 9 eyes. Conifer, 03 January 2018. Available on Available on https://conifer.rhizome.org/despens/9-eyes/20180103101851/http://9-eyes.com/ . Accessed 11 Jun. 2024.
https://conifer.rhizome.org/despens/9-ey... ).

Figure 8 Frame reproduced from the GSV interface depicting the author’s confrontation with Google’s car, Ernesto de Carvalho (dir), Nunca é noite no mapa, 2016Nunca é noite no mapa (2016), Dir: Ernesto de Carvalho, Brazil, 6’, Son., color. Available on Available on https://vimeo.com/175423925 . Accessed 11 Jun. 2024.
https://vimeo.com/175423925... . Brazil.

Figure 9 Frame reproduced from the GSV interface depicting the author’s confrontation with Google’s car, Ernesto de Carvalho (dir), Nunca é noite no mapa, 2016Nunca é noite no mapa (2016), Dir: Ernesto de Carvalho, Brazil, 6’, Son., color. Available on Available on https://vimeo.com/175423925 . Accessed 11 Jun. 2024.
https://vimeo.com/175423925... . Brazil.

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O MUNDO COMO IMAGEM E A IMAGEM DO MUNDO: FOTOGRAFANDO O GOOGLE STREET VIEW

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