The similarity is present in the foundation of the language, even of the language of images, such as film. Although Eisenstein said that his film editing's principle was the conflict, similarity can be seen in sequences of October (1929). I shall discuss it through the video installation CinemObjeto (2012), performed as part of the theoretical and practical research reported here. The video installation researches the use of film editing beyond its internal grammar, taking into account the factors that limit the film, either material and technically as in terms of discursive forms. The edition here is not between two images, but between image and screen in motion. This procedure, using "external language" produces "emerging images". Strengthening relationships between theory and practice, video installation and philosophy, this ongoing research explores the possibilities of audiovisual and reflects about their achievements.
keywords:
video Installation; film editing; cinefagia; emerging-Image
