This article discusses a group of works by João Loureiro - The Secret Passage, Pool, Project for the occupation of a house, drawings made by the artist, Zootechnical and Blue Jeans -, works which are marked by an immediate connection with the specific places they were conceived. It investigates to what extent the artist's work depends on the smaller features involved in the objective situations that favor its appearance in space.
keywords:
João Loureiro; space; stains; Brazilian contemporary art