ABSTRACT
The article focuses on Raul Mourão’s artworks produced by observing cities and capturing the visuality of the streets. It is an axis of the artist’s production that he considers dedicated to the documentation of reality. The analysis of his work is based on an interview with the artist and dialogues with other researchers interested in his artistic production on this topic.
KEYWORDS Certified Copy ; Contemporary Cinema; Field; Abbas Kiarostami; Time-image