ABSTRACT
The article investigates how Ozualdo Candeias, in works such as the documentaries ...a rua chamada Triumpho 969/70 (1971), ...a rua chamada Triumpho 970/71 (1971), and Bocadolixocinema (1976), records and organizes the memory (and the duty of memory) about Boca do Lixo, based on the ideas of domestic cinema, film-albums and compilation films.
Keywords:
Ozualdo Candeias; Boca do Lixo; Domestic Films; Family Album; Memory