Art plays a key role in Flusser’s thinking. However, this very notion will assume different conceptions throughout the author’s work. Our purpose is to investigate and present a “morphology” of these meanings, starting with his inaugural work, Language and Reality (1963), republished in English in 2017, to the late writings, focused on the philosophy of the media . In the end, our purpose is to understand disruptions but also convergences in Flusser’s aesthetic theory.
Ars; Poiesis; Artifice; Vilém Flusser