ABSTRACT
This article establishes a dialogic analysis of Dostoevski's The Eternal Husband (1870) and Machado de Assis's Dom Casmurro(1899), focusing on the treatment of the doubt as an aesthetic cathegory by both authors. This dialog opens room to questions related to the specificities of their prose in the context of Realism and to the signs of dialogism on the writing of the authors.
KEYWORDS:
Dialogism; Realism; Bakhtin; Dostoevsky; Machado de Assis