To Read and to Feel: The Multimodal Representation of Emotions in Digital Children’s Literature

ABSTRACT

Digital literature presents new ways of constructing aesthetic and emotional experience for child readers. This article reflects on emotion and affect in digital literature through the analysis of three literary apps for children. To deal with the complex phenomenon of the affective and emotional experience in digital reading, an interdisciplinary theoretical framework is proposed, relating Merleau-Ponty’s phenomenology to Kress and van Leeuwen’s multimodal social semiotics. The corpus includes the apps Little Red Riding Hood, by producer Nosy Crow, The Monster at the End of This Book, by Jon Stone and Michael Smollin, and Hat Monkey, by Chris Haughton. It discusses how different semiotic resources are used in the representation of emotions and in suggesting emotional tension to the child reader, with embodiment and the intrinsic relationship between reader’s bodies and their emotional experience as a central part of apps’ textual construction.

KEYWORDS:
Digital children’s literature; Literary apps; Emotions; Multimodality; Phenomenology