ABSTRACT
The main purpose of this essay is to analyze the place of space in the conceptual construction of Bakhtinian dialogism. It is understood that space and spatiality are categories that define the nature of the dialogical relations translated into act and aesthetic event. For this purpose, it is based on the concepts of chronotope and the spatial form of the character as constructed in the verbal creation of Dostoevsky, especially his understanding of the image of language as a spatial premise of articulation of points of view in confrontation and of autonomous and plenivalent consciences.
KEYWORDS:
Space; Chronotope; Aesthetic Event; Unfinalizability; Image of Language