ABSTRACT
In order to underscore the imperative for cultivating an immersive journalistic language, we advocate for adopting the frameworks of slow journalism and creative journalism as optimal arenas for its conceptualization, exploration, and formulation. We critically assess the current landscape of immersive journalism and delve into the virtual reality journalistic venture The Enemy, positing it as an exemplary and pioneering instance of immersive nonfiction storytelling.
Keywords
Immersive journalism; Virtual reality; Slow journalism; Creative journalism; Communication