Abstract
The following essay aims to show the theoretical consequences of a latent tension between the notion of tragedy in Nietzsche’s The Birth of Tragedy and the Schopenhauerian comprehension of music. This tension occurs not just within the aesthetics interpretations of the mentioned arts by the philosophers cited, but it demonstrates fundamental disparities in the young Nietzsche’s thought in respect to the metaphysics of The World as Will and Representation. The hypothesis is that these disparities would culminate in a caesura point between the philosophies of Schopenhauer and Nietzsche, as well in the decline of the friendship of this one with Richard Wagner.
Keywords:
Tragedy; Music; Will; Nietzsche; Schopenhauer; Wagner