Abstract
The Wagner/décadence binomial is fundamental to comprehend and characterize Nietzsche’s latest philosophy, for it outlines, on the one hand, the negative and disruptive side of his critique on aesthetic modernity; and, on the other, it makes possible a precise application of the so called “transvaluation of all values.” Attentive and responsible, this article aims at explaining this double point of view.
Keywords
Wagner; Nietzsche; décadence; transvaluation of all values