Abstract
In the reflections on the Angolan War of Independence (1961-1974) the woman was observed only in her historical life or as a mythical figure, an example of Deolinda Rodrigues and her political militancy. The present article aims to question these spaces engendered, from the study of her artistic works, including not only female protagonism in the guerrilla, but also the critical process of subjectivity, through writing, reverberation of gender issues and their reported tensions
Woman; Angola; War; Poetry