Abstract
This article analyses methodological possibilities of ethnomusicology in the field of public health, starting from an experience that triangulated ethnomusicological theories with discourse analysis (DA). After an introduction to applied ethnomusicology, it is followed by a description of methodological aspects of the experience in question. Subsequently, the conduction of the ethnomusicological step and the triangulation process was described. Results show that the musical systems are situated in power structures, influencing the construction of subjectivities. Applied ethnomusicology emerges, therefore, as a possibility for analyzing the structures on which the music is rooted in. From a research on the relations between forró and the perception of young people’s perception about sexual violence, ethnomusicology presented itself as a theoretical possibility for the study of violent social performances and about the effects of music in identity building, besides providing elements for the confrontation of violence inside the cultural system itself. Its triangulation with DA contributes for an ethnographic-discursive research, as possibility of analysis of social practices.
Key words:
Music; Methodology; Public health