Abstract
The article discusses some aesthetical and political aspects of the translation the Spanish poet Rafael Alberti (1902-1999) presents in 1943 for Charles Baudelaire’s Journaux intimes. In order to do so, we consider the prologue and the relation between the poets and their poetics suggested by this translation, besides the moment the text was translated, during Alberti’s exile in Argentina after the Spanish Civil War.
Keywords
Translation; Exile; Poetry; Politics