Abstract
Grace Passô is the author of Vaga Carne, released in 2018 by Editora Javali. The book is a landmark, due to the topics covered and the structure of the text, in the growing scenario of contemporary Brazilian literature of dramaturgical publications. In this solo, Passô raises questions about class, race, and gender. The author writes dramaturgy illuminated by black-Brazilian experiences. Images like a voice invading a body are the main reference in this book.
Keywords:
dramaturgy; voice; body