Abstract
“We write what we hear and never what happened”, this phrase by Oswald de Andrade, retrieved in the epigraph of the book Delírios de damasco , by Veronica Stigger, invites us to reconfigure what we understand about literary writings. Likewise, it calls for a writing practice that does not coincide with itself. This non-coincidence is called here in this text ‘unspecificity’ a notion by the author Florencia Garramuño, which serves as an approximation to the reading of the poem “Sessão” (2017FRANKEL, Roy David (2017). Sessão. São Paulo: Editora Luna Parque.), by Roy David Frankel. This encounter, which centralizes the debate in the text, brings a series of provocations to recent literary practices and to the current Brazilian political scenario figured since the Coup d'état in 2016. The effort is to take current literary practices as a possible space for political construction in the form of impropriety and impertinence.
Keywords:
unspecificity; politics; Roy David Frankel