abstract
This article aims to approach De onde vem o verão (1989-90), written by Carlos Alberto Soffredini, and Vestido de noiva [Wedding Dress] (1943), written by Nelson Rodrigues, understanding the multiple textual and intertextual references that exist in Soffredini’s play. For this, two moments of dramatic modernity are examined in the work of these playwrights, taking into account the hybrid forms developed in both plays and that reflect the historical context of each playwright’s work.
Keywords:
dramatic literature; modern and contemporary theater; Carlos Alberto Soffredini; Nelson Rodrigues