This article intends to make us think about the relationship between cinema and education in the change of a pedagogy of action image to a pedagogy of time image, moved by the analysis of the philosopher Gilles Deleuze about the images on the movies. This transformation invites us to invent new forms of subjectivation and new semiotics that can reveal the relationship of the subject with himself and the other persons. In this way, the cinema can be seen as another instrument to provide educational improvement in the exercise to prepare the subject for the infinite ways that take him in the other people's direction.
cinema; media; media education; pedagogy of image; otherness