Abstract
This article states the questions that mobilize the research group “Corposições: Profanations between affection, performativity and territory”. It highlights “how”, “where” and “when” the fields of action of its members imbricate to build up a common body. Considering its main work tools - João Fiadeiro’s Real Time Composition and Fernanda Eugenio’s AND Operative Mode - the game proposed by the group is to share their experiences, giving visibility to what destabilizes, ventilates and broadens its practices and discourses. This proposition implies specific ways of seeing - the articulation between corporeity, affection, territory and performativity - and ways of acting - an investigation which is experimentation and laboratory where interventions between dance and clinic are performed.
Keywords:
Real Time Composition; AND Operative Mode; corporeity; dance; clinic