Abstract
The process of research and creation of the show Dead Volume is the starting point of this report on performance, body memory and aesthetic-political relations implied in the artistic trajectory of the Coletivo Líquida Ação since 2007. The presence of water as a vital element, used in the performances of urban intervention, is part of the artistic proposal of this collective that problematizes the boundaries between visibilities and invisibilities of the inhabited city. Water, coupled with the multiple temporalities of body-space experience in performance acting, is also in line with the practices of socializing and artistic production, geared towards the sustainability of the collective itself as an independent research space.
Keywords:
performance; corporeity; memory; water and composition