ABSTRACT
Many actors report a form of dual-consciousness when playing roles on stage: they react to the given circumstances as their characters would do, but they do not forget they are on the stage. This paper analyzes the concept of dual-consciousness and argues that actor dual-consciousness results from the actor’s imaginings, which both recreate the experience of the character and inform the actor about the non-reality of the experience.
Keywords:
Acting; actor; dual-consciousness; recreative imagination; experiential identification