ABSTRACT:
This article aims to demonstrate Eliane Brum's aesthetic intentionality in the constitution of the novel One Two (2011). Thus, when approaching the aesthetic object in question, I try to capture intentions with the help of information from outside the text, either by the genesis of the work generated, or by the set of works by the author. For that, I will use the studies of the theory Epistemology of the novel.
KEYWORDS:
One two; Intentionality; reader-researcher; set of works