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Scenography and ethos: the discourse of intolerance and political polarization on Twitter

Abstract:

This article analyzes the discursive staging on Twitter on an intensely polarized political spectrum where the parties of the debate fail to chain a legitimate negotiation of meaning among themselves, directing the enunciative act to appreciation of their pairs of debate and assigning to the opposite side a mere function to fulfill as an anti-guarantor of a negative ethical world whose characterization forges a contrast that strengthens the ethos of the enunciator. The theoretical framework is based on the scenography and ethos of Maingueneau (2008aMAINGUENEAU, Dominique. A propósito do ethos. In: MOTTA, Ana Raquel; SALGADO, Luciana. (Org.). Ethos discursivo. São Paulo: Contexto, 2008a. p. 11-29.), supported by the ethical act of Bakhtin (2012) and the ubiquitous communication of Santaella (2014)SANTAELLA, Lucia. Sociotramas: estudos multitemáticos sobre redes digitais. São Paulo: Estação das Letras e Cores, 2014.. The analysis is based on a tweet about the death of Dona Marisa Letícia and the atmosphere of intolerance that covered social networks. We conclude that the oppositions of polarization operate a discursive staging in the service of their identity preservation that prevents them from accepting opposing perspectives.

Keywords:
ethos; ethical act; ubiquity; scenography; Twitter

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