Abstract
This paper comments on the particular way film makes use of an urban imagery as a signifying system of meaning to represent specific features related to the notion of urban space (space) and modernity (time). Attention is given here to how a particular urban landscape, the Northeast Brazilian city, Recife-PE, is constructed and thematised as a living structure of meaning and aesthetic effect acting as the space from which social and cinematic landscape emerge. Thus, this article comments on a diversity of concepts drawn from different authors to set a discussion around the matter of city and film or, rather, the way in which the city of Recife, is represented in the film Neighbouring Sounds (O Som ao Redor, Kleber Mendonça Filho, 2012).
Key words:
Urban Space; Landscape; Cinema; Recife-PE; Neighbouring Sounds
