Has the global art world really become porous, open to all artists irrespective of their origins - even if they come from what Paris or New York would consider the most marginal places?
sociology of art; contemporary art; global art; biennials
Has the global art world really become porous, open to all artists irrespective of their origins - even if they come from what Paris or New York would consider the most marginal places?
sociology of art; contemporary art; global art; biennials
