This article examines the cultural changes at the end of the XXth century, focusing the urban spaces and its narrow relationship with audiovisual apparatus. In this sense, it stablishes the emergence of new sceneries: changes in life-style, in the perceptions of time and space, and in the uses of the city. In the same way, it describes the emergence of distinct courses of visibility and expression, and the building of hibrid places - without "territorial" affiliation - through technologies and reports based on the importance of the image and the velocity.
public space; style; audiovisual networks; cities