Abstract
This research approaches the singularities that integrate the narratives constructions on the ordinances of “natural world” undertaken in information and memory museological spaces. The curatorial process evolved are understood as theoretical and practical elements that are integral parts of a “dispositive”, as developed in the theoretical framework of Michel Foucault. This study analyzed the curatorship as discursive irruption applied to the issue of the “truths” and naturalization of information process in social science communication.
Key-words:
Natural History Museum; Curatorial Dispositives; Information