Theodor Fontane was a passionate visitor of historical monuments, and his text Wanderungen durch die Mark Brandenburg entail many references to sculptures, obelisks, churches, and museums. Fontane's description of monuments represents a specific view on history, which undermines a teleological perspective on the past. The article shows that Fontane's monuments embody eschatological, allegorical, and arabesque interpretations of the past, which in turn poetizes and de-historizes history.
Fontane; representation of history; monuments; multiperspectivism