This article approaches affinities between Johann Wolfgang von Goethe (1749-1832) and Immanuel Kant (1724-1804), especially regarding Kant's Critique of Judgment. Herein, this study investigates the theoretical dialogue that implicitly or explicitly permeates Goethe's thought and the work of the philosopher of Königsberg involving concepts such as Art, Nature and the Sublime.
Kant; Goethe; Art; Nature; Sublime