Figure 1.
The organic instruments (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score].)
Figure 2.
Body percussion performance (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score].)
Table 4.
Structure of the composition. Own elaboration.
Figure 3.
Pentatonic sequence and piccolo melodic cell (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 1)
Figure 4.
Main rhythmic cell. Own elaboration
Figure 5.
Rhythmic design theming (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 3)
Figure 6.
Timbral thickening (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 4)
Figure 7.
Paseíllo Theme (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 5-6)
Figure 8.
Final closure (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 7)
Figure 9.
Second motif (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 8)
Figure 10.
Palo flamenco. Own elaboration
Figure 11.
Mode of accentuation. Own elaboration
Figure 12.
Rhythmic scheme of clapping in La corrida de toros (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 15-16)
Figure 13.
First theme. (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 15-16)
Figure 14.
Second theme of trumpets and bombardino (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 16-17)
Figure 15.
Resumption of thematic material (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 18)
Figure 16.
Trillo-scala style (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 18)
Figure 17.
Andalusian cadence (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 19)
Figure 18.
Pasodoble (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 28)
Figure 19.
First thematic idea (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 29)
Figure 20.
Alto saxophone counterpoint (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 30)
Figure 21.
Trumpet solo (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 31)
Figure 22.
Dissolution effect (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 33-34)
Figure 23.
Tango rhythm and melodic anticipation of the trombone (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 34-35)
Figure 24.
Rhythmic thickening (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 35)
Figure 25.
Trumpet solo (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score].)
Figure 26.
Oci Ciornia (Anonymous 1897Anonymous. 1897. Oci Ciornia. Moscow: Jungerson. [Score].)
Figure 27.
Thematic pattern (Burki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 37)
Figure 28.
Improvised piccolo episode (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 38-39)
Figure 29.
Trombone ripping and high woodwind instrument design (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 39)
Figure 30.
Reformulation of the first thematic idea (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 40)
Figure 31.
Tango resolution (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 47)
Figure 32.
Fragmented melodical ideas (Bürki, 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., p. 50)
Figure 33.
Body percussion (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 51)
Figure 34.
Thematic blocks (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 53).
Figure 35.
Dynamic thickening (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 57)
Figure 36.
The end of La corrida de Toros (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score]., 62) and the end of Bolero of Maurice Ravel (Ravel 1929Ravel, M. 1929. Bolero. Paris : Durand et Cie. [Score]., 66)
Figure 37.
Body percussion rhythm (Bürki 2016Bürki, Mario. 2016. La corrida de toros. Luterbach: Musikverlag Frank. [Score].)
Figure 38.
Moving in square for dual task. (Romero-Naranjo 2018)
Figure 39.
Bapne in Web of Science