Acessibilidade / Reportar erro

Culture industry and experience: novelty, proximity and Erlebnis1 1 Responsible editor: Carmen Lúcia Soares. https://orcid.org/0000-0002-4347-1924 2 2 References correction and bibliographic normalization services: Thiago Silva (Tikinet) – e-mail revisao@tikinet.com.br 3 3 English version: Viviane Ramos - vivianeramos@gmail.com 4 4 Support: this article is based on the thesis Turismo, formação, indústria cultural: a experiência da excursão, presented at Programa de Pós-Graduação em Educação da Universidade Federal de Santa Catarina, with the support of Programa de Bolsas Universitárias de Santa Catarina (Uniedu), in collaboration with Fundo de Apoio à Manutenção e ao Desenvolvimento da Educação Superior (Fumdes) and the Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq), through a research productivity grant (Proc. 310115/2017-5) and a research fund (Proc. 423773/2018-6).

Abstract

This paper questions the (im)possibility of building experiences from the relationship established with commodities. From the concept of excursion tourism, we specifically analyze the relationship between subjects and objects/attractions through interviews and observations. The results indicate that the tourist manifests a disposition to the novelty, assumed as habitual within the trip, besides prioritizing a relation of proximity with objects. Such proximity is expressed, among other aspects, in their impulse to appropriate objects through images and informational data. For the tourist, the tour as a whole and its activities are a shock experience, implying the weakening of mnemonic (and therefore the essential use of the photographic resource, even ephemeral) and mimetic forces (the reason for valuing the direct apprehension of the object by the information).

Keywords
experience; culture industry; education; subjectiveness; tourism

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