Abstract:
This article presents a research for decade making cross the look on the expanding dramatic text of physical representations and the examination of current scenic forms where the presence of the body is undeniable. If it is impossible to limit the theater to the text, our position is that it is also impossible to escape it. The first part puts in perspective a textual analysis of a corpus of revealing contemporary texts a number of physical representations. The second part questions the flesh of the words because the word is a tangible materiality, a carrier of a particular originality. The third part is dedicated to the forms emerging performances on the European stages where the body acquires all its density and its strength.
Keywords:
Semiotics Theatrical; Textual Analysis; Body; Representation; Performance