Abstract:
Through the analysis of contemporary propositions and postulating the game of framings as the principle of scene poetics building, this article analyzes the notions of theatricality and performativity as co-existing functions. Displaced from the field of theater criticism to the performance, theatricality and performativity appear as operational notions of an analysis of the actorly praxis, providing the basis for a review of theory and the place of the dramatics as an alleged practice of signification, allowing its presentation as a framing mode among others.
Keywords:
Performativity; Theatricality; Actor; Post-Dramatic; Framing