ABSTRACT
This article aims to demonstrate through a historical perspective that the neurophysiological and expressive study of emotions emerges as an important vector of facilitation of the dialog between theater and live being sciences. Also part of this work is the exploration of certain neuroscientific concepts currently used in experimental researches of the human emotions, as well as a reflection about possible connections between neuroscience of emotions and the actor's work.
Keywords:
Theater; Actor; Neuroscience; Emotions; Neuroplasticity