Abstract:
The article forges the principle of escape to think of the poetics of the body disappearance that encounter, in what the author calls fugitive performance, a way of making alive the modes of existence, which would be destined, by the reproductive futurism of the esthetical norm, to disappear and, consequently, to die. In a dialogue with Black Studies, anti-colonial criticism and my own thought on the sensitive field, the article traces the threads that expose the programs of re-theorization, representation, abstraction and performance underlying the traffic of the becoming-black in the arts.
Keywords:
Art; Escape; Performance; Black; Sensible