ABSTRACT
In order to deal with the definitive overcoming of two theatrical prejudices still in force - the self-proclaimed rejection of producers against theoretical reflection and lack of artistic experience, which allegedly devaluate critical discourse - we will analyze the self-reflection that gives the foundations to postdramatic staging modalities not only from a productive viewpoint (theatrical practice), but also from a receptive one (new theoretical inquiries of theater experts).
Keywords:
Postdramatic; Theory; Practice; Wacquant; Self-reflection