ABSTRACT
After briefly outlining the premise driving the individual artistic research on two branches of the Workcenter, this text deals with the experience of the viewer, or rather witness, in watching 2009-2012 stagings of The Living Room and I am America. The critical appeal of this art form (only this one?) has to undergo a radical questioning of the interpreter's role.
Keywords:
Workcenter of Jerzy Grotowski and Thomas Richards; Jerzy Grotowski; Open Program; Mario Biagini; Performance