ABSTRACT
This paper reflects on the role of folklore festivals in the contemporary world. Based on ethnographic research carried out in the context of the Folklore Festival of Olímpia - FEFOL - (São Paulo/Brazil) and with Pastoril Dona Joaquina de São Gonçalo do Amarante (Rio Grande do Norte/Brazil), folklore festivals will be understood as new contexts of performance for the practices of the performative groups of Brazilian popular cultures. The reflection is based on Wenger (2012)______. Communities of practice and social learning systems: the career of a concept. 2012. Disponível em: <http://wenger-trayner.com/wp-content/uploads/2012/01/09-10-27-CoPs-and-systems-v2.01.pdf>. Acesso em: 18 fev. 2016.
http://wenger-trayner.com/wp-content/upl...
and Turino (2008)______. Music as social life: the politics of participation. Chicago: University of Chicago Press, 2008..
KEYWORDS
Ethnomusicology; communities of practice; folklore festivals; new performance contexts
Source: Archives from FEFOL [197-?]
Source: Archives from FEFOL [198?]
Source: Archives from FEFOL [201-?]
Source - Archives from FEFOL [200-
Source: Carlos Isaías [201?]
Source: Jonas Olmos [2012]
Source: Jonas Olmos [2012]