ABSTRACT
In the set of Mário de Andrade’s correspondence to Murilo Miranda, between 1934 and 1945, there is a Mário very different from the avantgarde utopia of the early years of the Brazilian Modernismo. In this new literary and political environment, the writer moves, dominated by disenchantment, who finds himself in Murilo Miranda, a young student of Law, the ideal interlocutor with whom he sewn facts of his fractured activity in front of the public service, and then, he overtook discussions on the principles of “art of action for art”, literature and ethics.
KEYWORDS:
Literary correspondence; Mário de Andrade; Murilo Miranda